I recently remixed and remastered ‘Scary Poppins’ and I decided to make the new versions available as a reissue. It will also include a previously unavailable alternate version of ‘Scapegoat’. All the tracks are available as free downloads (at 320 kbps) on Soundcloud.
The new version of my 2nd album ‘Hi Aphrodite’ features louder vocals and a few other changes. All the tracks are available as free downloads (at 320 kbps) on Soundcloud.
Hi Penthus was the 1st album I released under the moniker ‘The Mad Pride’. While free downloads of the songs were previously available, I recently decided to upload higher quality versions (320 kbps). I also fixed the ID3 tags which were not accurate in the mp3s which I originally uploaded back in 2010. The new mp3s can be freely downloaded from The Hi Penthus set on Soundcloud.
The wonderfully entertaining presenters behind Captain SIB‘s psychedelic freakout prodcast have kindly featured my song ‘Scapegoat’ in their show. It’s an incredible experience if you have the time…. the podcast that is. If you’re into psychedelia then it’s probably your thing. It’s great to think that my music is finding a place as far away as Scotland. You can find the podcast at http://captainsib.com/psychedelic-freak-out-episode-17#content
When I tell people I’m a songwriter they invariably ask “what style of music do you play?”. As I answer this question so regularly and I only have quite elusive and somewhat contradictory labels to reference (such as psychedelic folk noir, post-rock, neoclassical and darkwave), I decided to pose the genre classification question to my fans. So far, genres submitted to describe my music include:
1. Apocalyptic Folk
2. Aquarian Rock
3. Brainmelt Fusion
5. Ectoplasmic Resonance
6. Glum Rock
7. Minorchordial Seashine Wave
I’m quite impressed with the effort people have gone to with these suggestions.
Another description of my music was posted online courtesy of IndieGuild: “Far from the mainstream, “The Mad Pride” gives his take on life in experimental, acoustic neofolk style”.
I found a definition online which seemed to encompass Apocalyptic Folk, Neofolk and Folk Noir:
“Apocalyptic folk (Neo folk, Uber folk, Folk noir ) is a term and phrase employed to describe a genre of folk-music which deals with dark themes of decay, decline, and/or destruction of Western civilizations foundations. This genre of music often, but not always has a underlying social philosophy. Other terms for Apocalyptic-Folk that have been applied to this genre of music are Folk-Noir, Uber-folk, and Neo-Folk.”
I’ve put together a video for Scapegoat which features a few photos taken at miscellaneous gigs over the years. If I had a camera I’d probably take photos of trees or something…. so many pictures of me seems kind of narcissistic.
‘The Mad Pride’ is the brainchild of singer/songwriter/multi-instrumentalist Rowan Galagher. Having been compared to Syd Barrett, David Bowie, Frank Zappa, Radiohead and Leonard Cohen, all attempts to pigeon-hole his music within a genre-based paradigm of stylistic reductionism have failed.
During 2009 and 2010 Rowan released 3 original albums in which he moved seamlessly from avant-garde psych-folk experimentation to neoclassical soundscapes and beyond. His DIY ethic has motivated him to play the majority of the instruments himself and record them alone in his Wollongong based apartment.
With an uncompromising commitment to emotional authenticity and a wider goal of positive social change, Rowan is driven to make honest and progressive music. He is constantly pushing the boundaries of conventional genres and seeks to forge a new platform in the contemporary musical landscape. It would appear that he is succeeding at this as, aside from the aforementioned artists, Rowan’s music has also been compared to Jacques Brel, Mr Bungle, Danny Elfman, Jeff Martin, Muse, Grizzly Bear, Midlake and David Sylvian.
‘The Mad Pride’ is a reference to the mass movement known as ‘Mad Pride’. “Mad Pride activists seek to re-educate the general public on such subjects as the causes of mental disorders, the experiences of those using the mental health system, and the global suicide pandemic.”